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Jan 17 - 18 10:00am 5:00pm

O le ūa na fua mai Manuʻa brings fresh international perspectives to current endeavours to embody and awaken Indigenous sensual and spoken languages.

O le ūa na fua mai Manuʻa brings fresh international perspectives to current endeavours to embody and awaken Indigenous sensual and spoken languages.

Jan 17 - 14 10:00am 5:00pm

Shivanjani Lal is a twice-removed Fijian Indian Australian artist who works with archival images, found materials, video, performance and ritual.

Shivanjani Lal is a twice-removed Fijian Indian Australian artist who works with archival images, found materials, video, performance and ritual.

Jan 17 - 18 10:00am 5:00pm

This special project features a ngatu (painted bark cloth tapestry) created in Tonga and New Caledonia by artist and curator Ruha Fifita with help from friends and family, and a second one made collaboratively with her extended family in Vaimalo a

This special project features a ngatu (painted bark cloth tapestry) created in Tonga and New Caledonia by artist and curator Ruha Fifita with help from friends and family, and a second one made collaboratively with her extended family in Vaimalo a

Jan 17 - 18 10:00am 5:00pm

Wansolwara: One Salt Water is a series of exhibitions, performances and events from across the Pacific and throughout the Great Ocean.

Wansolwara: One Salt Water is a series of exhibitions, performances and events from across the Pacific and throughout the Great Ocean.

Jan 23 6:00pm 7:00pm

A conversation between artist Shivanjani Lal and poet Manisha Anjali. Together they will discuss the experiences of diaspora, tracing a thread from India, across the Pacific to Australia, uncovering the many layers that inform these histories.

A conversation between artist Shivanjani Lal and poet Manisha Anjali. Together they will discuss the experiences of diaspora, tracing a thread from India, across the Pacific to Australia, uncovering the many layers that inform these histories.

Jan 29 6:00pm 8:00pm

In what environment did life begin on Earth? In a letter to a friend, Charles Darwin suggested life first started in some “warm little pond” full of the organic building blocks and energy needed to create life.

In what environment did life begin on Earth? In a letter to a friend, Charles Darwin suggested life first started in some “warm little pond” full of the organic building blocks and energy needed to create life.

Feb 5 - 22 11:00am 6:00pm

Join us at Kudos Gallery on Wednesday 5 February for the launch of 'Trepidation' and 'Body Language'. The opening night will feature a performance in space two by artist Sïan Kelly.

Join us at Kudos Gallery on Wednesday 5 February for the launch of 'Trepidation' and 'Body Language'. The opening night will feature a performance in space two by artist Sïan Kelly.

Feb 10 5:30pm 8:30pm

Connecting and fostering the entrepreneurial ecosystem to discover the startups disrupting the legal sector.

Connecting and fostering the entrepreneurial ecosystem to discover the startups disrupting the legal sector.

Feb 20 6:00pm 8:00pm

Feb 25 - 14 11:00am 6:00pm

Join us at Kudos Gallery on Tuesday 25 February for the launch of 'Epigenetic Maternal Landscapes' solo exhibition by Clare Nicholson.

Join us at Kudos Gallery on Tuesday 25 February for the launch of 'Epigenetic Maternal Landscapes' solo exhibition by Clare Nicholson.

Feb 27 5:30pm 8:00pm

Mar 5 6:30pm 7:30pm

It is one of the most important questions of our time: how will digital technology transform society and the way we govern?

It is one of the most important questions of our time: how will digital technology transform society and the way we govern?

Mar 6 6:00pm 10:00pm

Grab an Art Month Sydney map and explore the local galleries of Paddington and Woollahra before kicking onto the festival's opening party at UNSW Galleries from 8pm.

Grab an Art Month Sydney map and explore the local galleries of Paddington and Woollahra before kicking onto the festival's opening party at UNSW Galleries from 8pm.

Mar 9 6:30pm 7:30pm

How do we stop the internet making bigots of us all?

How do we stop the internet making bigots of us all?

Mar 10 6:30pm 7:30pm

Are we really the masters of our own destiny?

The concept of fate has been around since the ancient Greeks, inspiring literature and folklore for thousands of years. However, the science of fate is just getting started. 

Are we really the masters of our own destiny?

The concept of fate has been around since the ancient Greeks, inspiring literature and folklore for thousands of years. However, the science of fate is just getting started. 

Mar 12 6:30pm 7:30pm

We’re in the midst of a climate crisis, so what can we do to ensure our survival? 

We’re in the midst of a climate crisis, so what can we do to ensure our survival? 

Mar 14 8:00pm 10:00pm

Elena KATS-CHERNIN | Velvet Revolution (1999)

Ludwig van BEETHOVEN | String Quintet Op.29 ‘Storm’ (1801)

Franz SCHREKER | Der Wind (1909)

Franz BERWALD | Grand Septet in B flat (1828)

 

Elena KATS-CHERNIN | Velvet Revolution (1999)

Ludwig van BEETHOVEN | String Quintet Op.29 ‘Storm’ (1801)

Franz SCHREKER | Der Wind (1909)

Franz BERWALD | Grand Septet in B flat (1828)

 

Mar 18 6:30pm 7:30pm

Does creativity come naturally to you? Or do you struggle to think in new and different ways?

Does creativity come naturally to you? Or do you struggle to think in new and different ways?

Mar 21 - 18 10:00am 5:00pm

Skye Wagner’s photographs explore the circulation and digital malleability of contemporary images. Made from physical objects and printed imagery, they mix vernacular photographic tropes, commodity goods and cultural fragments.

Skye Wagner’s photographs explore the circulation and digital malleability of contemporary images. Made from physical objects and printed imagery, they mix vernacular photographic tropes, commodity goods and cultural fragments.

Mar 21 - 18 10:00am 5:00pm

In this exhibition Samuel Hodge draws on his twenty-year archive of artistic practice to present an ambiguous and unpredictable installation in which disparate elements interrupt and collide with misaligned ‘official’ histories.

In this exhibition Samuel Hodge draws on his twenty-year archive of artistic practice to present an ambiguous and unpredictable installation in which disparate elements interrupt and collide with misaligned ‘official’ histories.

Watch and listen to the best of our past events right here