Join New Zealand/Aotearoa artist Niki Hastings McFall for an informal artist talk at UNSW Galleries followed by a lei-bombing walk to Cement Fondu for the opening of here is your horizon, curated by Talia Smith, which features Hastings McFall’s work.

Australia’s leading independent top-tier law firm, Corrs Chambers Westgarth Careers, are offering a Sydney spring clerkship program exclusively to UNSW Law students. The spring clerkship will run from 26 August to 13 September 2019. Applications open on 29 May.

Have you ever wanted to experience what it would be like as a student conducting research and experiments in a lab at University?

Let us take you on a journey through some of the branches of Science that you can study at UNSW. You’ll have the opportunity to ask questions and speak to our academic staff and current students.

To help you start to shape your career and the study pathway to get you there, the UNSW Co-op Program has assembled a lineup of Industry Leaders in key sectors at our Create Your Career sessions.

Leaders in these sectors will share their insights on the industry, the career opportunities available and their own journeys, in sessions designed to help you Create Your Career.  

Each session will include:

With the Federal Budget delivered in April and a Federal Election this month, tax is a hot topic of conversation. The Federal Opposition has released policies relating to capital gains tax, negative gearing and franking credit refunds, while the Government has flagged the possibility of bringing forward proposed reductions in personal income tax and possibly still hopes for a lower corporate tax rate.

'Rhythm Sequence' is the first career survey of Australian artist Gemma Smith. The exhibition traces the development of Smith’s practice since 2003 and its experimentation with the language of painting. It celebrates Smith’s reworking of abstract codes and styles, as well as the testing of colour and form, pictorial depth and formal and improvised gestures.

Multidisciplinary designers Elliott Bryce Foulkes and Maria Smit draw on a collaborative working process to explore the practice of graphic design within the museum.

The work of Nicholas Aloisio-Shearer considers the field of image production surrounding video games. Focusing on the culture of hacking and “modding”, it examines the production of fan-art and its appropriation of models and image assets from games.

Learn more about the work of Nicholas Aloisio-Shearer and the development of his practice in this discussion.

Developed in conjunction with 'Nicholas Aloisio-Shearer: Fragile Fantasy'.

Dear Homeland, is a sensitive inquiry into the East- and Southeast-Asian Australian diasporic identity. Unified by their diasporic history and biographical practices, the artists work to individualise their unique experiences post-migration, deconstructing how locality and heritage coalesce and manifest through artistic practices that span a vast array of different mediums.

The way we relate to space can be used as a barometer for the ways in which we relate to each other and ourselves. This is the central dialogue on which ‘Speaking Space’ Billie Posters’ upcoming exhibition is based. ‘Speaking Space’ discusses how spatial relations create social relations through a display of performative dialogues in film and sculpture.

Bask in the beautiful sounds of one of the country’s leading chamber ensembles, as the Australia Ensemble present a free lunch hour concert.

MARTIN | Trio of Folksongs

MURPHY | New Work for clarinet and piano

CRUSSEL | Clarinet Quartet.

No booking required.

Please join us for the second in a series of lectures on US-Australia Dialogues on International Trade and Resource Governance Law.

The age of immersive technologies has created a growing need for processing detailed visual representations of ourselves as virtual and augmented reality is growing into the next generation platform for online communication. A natural simulation of our presence in such virtual world is unthinkable without a photorealistic 3D digitization of ourselves.