'Rhythm Sequence' is the first career survey of Australian artist Gemma Smith. The exhibition traces the development of Smith’s practice since 2003 and its experimentation with the language of painting. It celebrates Smith’s reworking of abstract codes and styles, as well as the testing of colour and form, pictorial depth and formal and improvised gestures.
Multidisciplinary designers Elliott Bryce Foulkes and Maria Smit draw on a collaborative working process to explore the practice of graphic design within the museum.
The work of Nicholas Aloisio-Shearer considers the field of image production surrounding video games. Focusing on the culture of hacking and “modding”, it examines the production of fan-art and its appropriation of models and image assets from games.
When Playing on Synthetic Grass, we are in our element, in the playground, the artificial space that looks nothing like the real world, but is designed to be safe. A space for experimentation, learning and growth. We don't work, we play, and we don't make works, we make games. Playing on Synthetic Grass brings us back to our childhood, the playgrounds, the playpens and the various play things.
Compositive investigates the potential in harvesting wasted time, utilising this dormant energy to produce new outcomes. A collaborative exercise with several thousand worms and some of my unknown fellow painting students, Compositive used discarded paintings from bins on campus and from my own personal archive to imagine a future without failure - or at least where success can be salvaged.
Wolfgang Mozart | Quintet in E flat K452
Martin Wesley-Smith | Janet for flute, percussion and piano
Francis Poulenc | Sextet
György Ligeti | Bagatelles
Ludwig Thuille | Sextet Op.6
Ian Munro, piano; Geoffrey Collins, flute and David Griffiths, clarinet
with guest artists Huw Jones, oboe; Andrew Barnes, bassoon; Robert Johnson, horn; and Alison Pratt, percussion
A thrilling, genre-bending performance event from the electrifying UNSW New Music Collective to inspire and provoke new and exciting ways to engage with and enjoy the music of our time.
Featuring powerful, dynamic and radical works by Frederic Rzewski, Steve Reich, Vincent Plush, George Lewis and our very own Eitan Muir, this concert affirms that music making is a profound collective experience that speaks to freedom, choice, social responsibility, defiance and play.
Short films with light-hearted stories, hysterical situations, misunderstandings, madness and a swathe of jet-black humour. There will be jokes, gags, pratfalls and probably some glowsticks...
This keynote lecture, delivered by Matthew Kiem, is the first in a new series of talks at UNSW Galleries exploring politics and power in contemporary design.
Thinking about uni in the future?
This evening is the best place for you to start if you are thinking about attending university in two years' time and are currently a Year 10 student (or you are the parent or teacher of a Year 10 student).
Do you want to find out more about how the Law Admission Test (LAT) affects entry into our Law double degrees?
Have your questions answered at our 2019 LAT Information Evening. The LAT is an entry requirement for all undergraduate law double degree programs at UNSW. This information evening will cover how the LAT has worked for entry in the past, provide detailed program and Faculty information, as well as key LAT dates for the year ahead.
Please join us for the third lecture in Utzon Lecture Series for 2019.
Presented by Professor Walter Hood, University of California, Berkeley, and Creative Director and Founder of Hood Design Studio in Oakland, CA
Registration: 5.30pm
Public Lecture: 6.00pm sharp
Networking Reception: 7.30pm - 8.30pm
Are you wondering ‘where to next’ when it comes to your career? Do you want to find out more about your masters study options? Join us for our exclusive Postgraduate Immersive Information Evening to hear from our leading academics and get the opportunity to chat and connect with academics, faculty members, expert advisers and many more.