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21 May 2022
9.00pm – 9.30pm AEST
Sir John Clancy Auditorium
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The elegance of Beethoven’s courtly wind Trio contrasts with the full-blown Romanticism of Brahms’s Third Piano Trio, while Peggy Glanville-Hicks offers snappy wit in her Concertino da Camera and Stuart Greenbaum meditates on human and environmental tragedy in his Easter Island.

Ludwig BEETHOVEN | Trio Op.87 (1794) for flute, clarinet & bassoon

Stuart GREENBAUM | Easter Island (2008)

Peggy GLANVILLE-HICKS | Concertino da Camera (1946)

Johannes BRAHMS | Piano Quartet no.3 in C minor Op.60 (1875)

David Griffiths, clarinet; Dene Olding, violin; Dimity Hall, violin; Irina Morozova, viola; Julian Smiles, cello; and Ian Munro, piano 

with Emeritus artist Geoffrey Collins, flute; and guest artist Andrew Barnes, bassoon

Brahms’s third Piano Quartet had a long gestation, seeded in the mid-1850s when his emotional life was in turmoil. When it finally appeared in 1872, the composer drily likened the piece to the then-fashionable story of Goethe’s Romantic hero Werther, who kills himself for love.

Brahms was in many ways the heir to Beethoven, whose short Trio from his early years in Bonn recalls the elegant sound of courtly wind ensembles.

Australian composer Peggy Glanville- Hicks studied in London and Vienna, but her greatest mentor was teacher and composer Nadia Boulanger. Her popular Concertino da Camera for piano and winds was written in New York in the mid-1940s, but its crystalline wit and neoclassical forms inevitably call to mind Boulanger’s pre-war Paris.

Written for the Australia Ensemble UNSW in 2008, Melbourne-based Stuart Greenbaum’s Easter Island is a moving meditation on the tragedy of that Pacific nation, famed for its massive sculptures, and a timely reminder of the dangers of man-made environmental collapse.


Adult $56 | Senior $43 | Concession $34

The subscription priority booking period has now closed. To purchase a subscription please contact the box office (02) 9385 4874 (Mon-Wed).

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David Griffiths

Associate Professor of Music

David Griffiths is a member of two of Australia’s leading chamber music ensembles, the Australia Ensemble UNSW and Ensemble Liaison. He also holds the position of Associate Professor of Music (Clarinet) and Coordinator of Chamber Music at the Melbourne Conservatorium of Music, the University of Melbourne. A passionate educator and performer, he has presented masterclasses and performances in Asia, Europe, United States, the Middle East and Australia including a critically acclaimed debut in Carnegie Hall’s Weill Recital Hall. As a soloist he has appeared with the Melbourne Chamber Orchestra, Tasmanian Symphony Orchestra, Sydney Symphony Orchestra, Orchestra Victoria, Australia Ensemble UNSW, Shanghai Radio Orchestra, Macau Orchestra and the Monash Academy Orchestra. 

As a member of Ensemble Liaison, he curates and performs an annual three-concert series at the Elisabeth Murdoch Hall at the Melbourne Recital Centre which is currently in its 16th season. He has also performed with the New Zealand, Goldner, Tinalley, Acacia, Flinders and Australian String Quartets, the New York Wind Soloists, and the Southern Cross Soloists. He has collaborated with many leading artists including Nemanja Radulović, Ray Chen, Anthony Marwood, Henning Kraggerud, Emma Matthews, Cheryl Barker, Peter Coleman-Wright, David Jones, Paul Grabowsky, Tony Gould, and has appeared at the Australian Festival of Chamber Music in Townsville, Port Fairy Festival, Lucerne Festival and the Pacific Music Festival in Sapporo, Japan.

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Dene Olding


Dene Olding, trained at the Juilliard School in New York, winner of a Churchill Fellowship for advanced studies and one of Australia's best-known instrumentalists, has won many awards and was a Laureate of the Queen Elisabeth of Belgium International Violin Competition. He has had a distinguished career as a soloist in Australia, New Zealand and the USA, performing over forty concertos, including many world premieres. His recording of Ross Edwards' Maninyas was the winner of the 1994 ARIA award for best classical recording and the Cannes award. He joined the Australia Ensemble in 1982 and was also at that time leader of the Australian Chamber Orchestra. He is also first violinist of the Goldner String Quartet, Concertmaster of the Sydney Symphony Orchestra and director of SSO's concert series at Angel Place. Dene is Artistic Advisor to the Michael Hill International Violin Competition and has served as a juror on other international competitions. He is also in demand as soloist and director with other Australian orchestras and combines a busy schedule of performing, touring and recording with his family life in Sydney. He plays a Joseph Guarnerius violin made in 1720.

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Dimity Hall


Dimity Hall is well known to national and international audiences as a member of both the Australia Ensemble @UNSW and the Goldner String Quartet, with whom she has performed, toured and recorded extensively. Dimity’s outstanding performances as a guest artist with the Australia Ensemble from 1986 led to the creation of a seventh core position in 1992.
After studying with Alice Waten in Sydney, Dimity undertook postgraduate students with Herman Krebbers in Amsterdam on a Netherlands Government Scholarship, performing in recital and as a casual member of the Royal Concertgebouw Orchestra for concert, tours and recordings.
In Australia, Dimity has performed with the Australian Chamber Orchestra as Principal Second Violin, guest Leader and soloist, with the Sydney Symphony as guest Principal, and as guest Concertmaster with the Australian Opera and Ballet, Melbourne and Adelaide Symphony Orchestras.
Dimity made her solo debut with the Sydney Symphony in 2002 performing Vaughan Williams’ The Lark Ascending, later recording the work for ABC Classics. She has been soloist with the Canberra Symphony Orchestra, Brisbane Camerata of St John and in 2013 will perform the Brahms Double Concerto with the Woollahra Philharmonic Orchestra and her husband, Julian Smiles.
Dimity was a juror for the 2003 Melbourne International Chamber Music Competition, and coaches young chamber musicians through Musica Viva, the Sydney Conservatorium and Australian Youth Orchestra. In 2008 and again in 2012, she and Julian Smiles combined with contestants in the Chamber Music section of the Sydney International Piano Competition.

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Irina Morozova


Irina Morozova, one of Australia's leading violists, has been principal viola in the Australian Chamber Orchestra, guest principal of the Sydney Symphony Orchestra and principal viola of the Elizabethan Trust Orchestra. She is a foundation member of both the Australia Ensemble UNSW and the Goldner String Quartet and tours internationally and records with both groups.

After studies with Richard Goldner and Robert Pikler at the NSW State Conservatorium of Music she undertook advanced studies and work in Europe and the USA before returning to Australia. She has regularly appeared as a soloist with major Australian and New Zealand orchestras. A member of distinguished chamber music juries, she presided on the juries of the Shostakovich International String Quartet Competition in St Petersburg, Russia, the Melbourne International Chamber Music Competition and was invited to perform and adjudicate at the Lionel Tertis International Viola Competition on the Isle of Man. Irina has recently been a frequent guest principal with the Hong Kong Philharmonic Orchestra. She plays a viola made by A.E. Smith of Sydney in 1947.

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Julian Smiles


Julian Smiles has for over 30 years been a central figure in cello performance and teaching in Australia. On graduating from the Canberra School of Music at the age of nineteen he was appointed principal cellist with the Australian Chamber Orchestra and rapidly gained prominence as a chamber musician in performances for Musica Viva AustraliaKathryn Selby and Friends and at the Huntington Estate Music Festival.

In 1991 he was invited to join the Australia Ensemble UNSW, and in 1995 formed the Goldner String Quartet with colleagues Dene Olding, Dimity Hall and Irina Morozova. With these two chamber groups he has performed to critical acclaim at major venues and festivals throughout the world, made over 30 CDs on leading labels, and premiered many works by Australian and international composers.

Julian’s appearances at festivals over the years have included artistic collaborations with musicians such as Piers Lane, Tasmin Little, Edgar Meyer, Alexander Sitkovetsky, Amy Dickson and James Crabb. He has also been engaged as a collaborative artist in the chamber music round of the Sydney International Piano Competition of Australia on numerous occasions. 

Ian Munro: A middle-aged man with short hair and glasses, wearing a black collared shirt smiles with his lips closed.

Ian Munro


Ian Munro is one of Australia’s most distinguished and awarded musicians with a career that has taken him to thirty countries in Europe, Asia, North America and Australasia. As a composer, Ian is the only Australian to have been awarded the Premier Grand Prix at the Queen Elisabeth Competition for Composers (2003), and was in 2011 the Featured Composer for Musica Viva Australia.
After completing his early training in Melbourne with Roy Shepherd, Ian furthered his studies in Vienna, London and Italy with Noretta Conci, Guido Agosti and Michele Campanella, launching his international career in the UK. He has performed with leading orchestras throughout the UK, Poland, Italy, Portugal, Russia, USA, China, New Zealand, Belgium, Switzerland and Uzbekistan, and with all the leading orchestras in Australia in over sixty piano concerti. 
Ian has recorded for ABC Classics, Hyperion, Cala, Naxos, Marco Polo, Tall Poppies and the UK label Warehouse as soloist and chamber musician. Recent discs include the collected music by Tasmanian composer Katherine Parker and Elena Kats-Chernin’s piano concerto commissioned for Ian Munro by the Sydney Symphony Orchestra. A widely experienced chamber musician, Ian joined the acclaimed Australia Ensemble @UNSW in Sydney in 2000, for which he has also composed and arranged several works.