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Delicioso

22 October 2022
8.00pm – 9.30pm AEDT
Sir John Clancy Auditorium
paint against a pink background

Complete the season with the rich and refined Romantic textures of Brahms’s Third Piano Quartet and Amy Beach’s Romance, the sparkle of Mozart at the height of his career, and spicy jazz-influenced dance music of Martinů’s La Revue de Cuisine.


Wolfgang MOZART | Piano Trio in B flat K502 (1786)

Johannes BRAHMS | Clarinet Sonata Op.120 no.2 (1894)

Amy BEACH | Romance Op.23 (1893)

Bohuslav MARTINŮ | La Revue de Cuisine (1927)


David Griffiths, clarinet; and Ian Munro, piano 

with guest artists Lerida Delbridge, violin; Tim Nankervis, cello; Andrew Barnes, bassoon; and David Elton, trumpet


Despite, or perhaps because of, an epic lunch before the concert, Brahms and his esteemed clarinettist Richard Mühlfeld wowed audiences in Leipzig with his E-flat sonata in 1895. It has great tonal richness, nostalgic and tranquil, with a surging central section.

Published two years before, the Romance by neglected US composer Amy Beach has a similar mood and shape, with long, songlike arcs briefly giving way to impassioned turbulence.

Mozart wrote his B-flat Piano Trio between Figaro and Don Giovanni. It’s comic, with a sparkling opening theme and pop-music beat, a calm Andante and witty finale, all tinged with occasional glimpses of sadness.

In Paris in 1927, Bohuslav Martinů composed The Temptation of the Saintly Pot, a ballet in which the marriage of a pot and a lid is interrupted by the arrival of a philandering twirling stick, a dishcloth and a pugnacious broom. Four of the most characteristic – and jazzy – movements form his La Revue de Cuisine suite.


Tickets

Adult $56 | Senior $43 | Concession $34

The subscription priority booking period has now closed. To purchase a subscription please contact the box office (02) 9385 4874 (Mon-Wed).

Speakers
Man with short brwn hair and a short beard wearing a black suit and holding a clarinet

David Griffiths

Associate Professor of Music

David Griffiths is a member of two of Australia’s leading chamber music ensembles, the Australia Ensemble UNSW and Ensemble Liaison. He also holds the position of Associate Professor of Music (Clarinet) and Coordinator of Chamber Music at the Melbourne Conservatorium of Music, the University of Melbourne. A passionate educator and performer, he has presented masterclasses and performances in Asia, Europe, United States, the Middle East and Australia including a critically acclaimed debut in Carnegie Hall’s Weill Recital Hall. As a soloist he has appeared with the Melbourne Chamber Orchestra, Tasmanian Symphony Orchestra, Sydney Symphony Orchestra, Orchestra Victoria, Australia Ensemble UNSW, Shanghai Radio Orchestra, Macau Orchestra and the Monash Academy Orchestra. 

As a member of Ensemble Liaison, he curates and performs an annual three-concert series at the Elisabeth Murdoch Hall at the Melbourne Recital Centre which is currently in its 16th season. He has also performed with the New Zealand, Goldner, Tinalley, Acacia, Flinders and Australian String Quartets, the New York Wind Soloists, and the Southern Cross Soloists. He has collaborated with many leading artists including Nemanja Radulović, Ray Chen, Anthony Marwood, Henning Kraggerud, Emma Matthews, Cheryl Barker, Peter Coleman-Wright, David Jones, Paul Grabowsky, Tony Gould, and has appeared at the Australian Festival of Chamber Music in Townsville, Port Fairy Festival, Lucerne Festival and the Pacific Music Festival in Sapporo, Japan.

He has held positions as Associate Principal Clarinet with the Melbourne Symphony Orchestra, Principal Clarinet of the Macau Orchestra and Principal Clarinet of the Shanghai Radio Orchestra. He has appeared as Guest Principal clarinet with all of Australia’s major symphony and opera ballet orchestras along with the Australian Chamber Orchestra. He was also Co-Principal of the 2000 National Repertory Orchestra (US), acting Principal of the Singapore Symphony Orchestra, the Malaysian Philharmonic and has performed with the New World Symphony, the Hong Kong Philharmonic, the China Philharmonic, the Pacific Music Festival Orchestra and the Paragon Ragtime Orchestra.

Some recent highlights include a performance of John Adams’ Gnarly Buttons Clarinet Concerto with the Australia Ensemble UNSW, the Weiland Concerto with the Melbourne Chamber Orchestra, a collaboration with accordion virtuoso James Crabb, Mozart’s Clarinet Quintet and Concerto at the 3MBS Mozart Marathon and the complete chamber works of Brahms in one day in collaboration with Timothy Young, Svetlana Bogosavljevic and the Australian String Quartet.

David’s recordings with Ensemble Liaison of Messiaen’s Quartet for the End of Time for the Melba Recordings label and Trios of Brahms, Beethoven and Bruch for the Tall Poppies label have won high praise from critics around the world. He is a Backun Clarinet performing artist.

Ian Munro: A middle-aged man with short hair and glasses, wearing a black collared shirt smiles with his lips closed.

Ian Munro

Piano

Ian Munro is one of Australia’s most distinguished and awarded musicians with a career that has taken him to thirty countries in Europe, Asia, North America and Australasia. As a composer, Ian is the only Australian to have been awarded the Premier Grand Prix at the Queen Elisabeth Competition for Composers (2003), and was in 2011 the Featured Composer for Musica Viva Australia.
After completing his early training in Melbourne with Roy Shepherd, Ian furthered his studies in Vienna, London and Italy with Noretta Conci, Guido Agosti and Michele Campanella, launching his international career in the UK. He has performed with leading orchestras throughout the UK, Poland, Italy, Portugal, Russia, USA, China, New Zealand, Belgium, Switzerland and Uzbekistan, and with all the leading orchestras in Australia in over sixty piano concerti. 
Ian has recorded for ABC Classics, Hyperion, Cala, Naxos, Marco Polo, Tall Poppies and the UK label Warehouse as soloist and chamber musician. Recent discs include the collected music by Tasmanian composer Katherine Parker and Elena Kats-Chernin’s piano concerto commissioned for Ian Munro by the Sydney Symphony Orchestra. A widely experienced chamber musician, Ian joined the acclaimed Australia Ensemble @UNSW in Sydney in 2000, for which he has also composed and arranged several works.