Daniel Mudie Cunningham and José Da Silva, UNSW Galleries Director, discuss the complex and intimate process of working with an artist’s estate. The discussion takes its title from Cunningham’s essay on the process of curating the posthumous survey Katthy Cavaliere: Loved (Museum of Old and New Art and Carriageworks, 2015-16). Cunningham is an artist, writer and curator based in Sydney and currently Director Programs at Carriageworks.

UNSW Wind Symphony

Paul Vickers, conductor

A REED - El Camino Real

GERSHWIN arr BARKER - The Symphonic Gershwin

GOLDMAN arr CUSTER The Chimes of Liberty

JOIO Scenes from The Louvre

SHOSTAKOVICH - Festive Overture

TYZIK - Riffs

WHITACRE- October

Tickets: $20/$15/$10

Modern Baseball is a series of paintings that references Ellsworth Kelly's 'Red, Yellow, Blue III' (1966) and the artist's father Raymond Pauszek II's commercial sign paintings for the Dunkirk, New York, Little League Baseball Field. The new work by Tim Pauszek zooms in to his father's since destroyed signs to become closer to Kelly's colour field work (or do they zoom out of Kelly's work to become closer to Ray II's signs? I can never remember).

Join 2019 John Fries Award finalists Dean Cross, David Greenhalgh, Nadia Hernández, Elena Papanikolakis and Justine Youssef on the closing weekend of the exhibition for a series of talks on their work in ‘There is Fiction in the Spaces Between’, moderated by John Fries Award Curator Miriam Kelly.

WHERE: UNSW GALLERIES

Substrate is a cross-institutional exhibition exchange between UNSW Art & Design and the University of Newcastle that brings together a selection of works by students who work with photography in the undergraduate degree program. The works in the exhibition present a diversity of compelling ideas in photography and photo-based art in the form of still and moving images, objects and installations.